Answer:
After answering that ask I realized the odor I was actually trying to describe was Midwestern basement mold.
mr. moldy.
:(
#that's not a five o clock shadow #with a dash of wet dog #everybody hates moldy raymond #he's also modeled after george these days so I guess I just called george moldy
Answer:
I’m pretty inconsistent with staying on model with my characters, but close enough is usually good enough, heh. My excuse is that my style is still evolving ;)
Try to think about proportions in relative terms: ex. the width of so-and-so’s mouth is 1.5 times that of one of her eyes. The more specific rules you can come up with for how to draw a character the easier it will become to make them feel consistent across different poses.
Don’t be afraid to make rules that sound silly or abstract either—whatever helps you internalize the volumes that comprise a character should be considered useful. For instance, I sometimes wait for a drawing to evoke a specific emotional reaction from myself before I decide it’s right, because that’s how I know I’m recognizing a familiar face. With one dude, it’s the feeling of being in a friendly conversation with someone who is plotting to rob your house. With another, it’s the same emotional reaction I have when I smell bleached bones and coffee simultaneously.
#Anonymous #askLittle midweek stream of consciousness failures. (too freaked out by the Pietà one to take it any further sorry)
Deirdre looks progressively more angry and/or beset by indigestion every time I draw her…
so young, so full of rage.
and rainbows.
Answer:
I’ve got things I’d like to see come to fruition someday…
Someday.
Answer:
…sometimes I work up the courage to have an open directory on my site with an archive of ye olde crappe in it. And then as I am looking through pictures to upload to said directory I unearth the truly weird stuff I forgot about (and buried for a reason), and then I have to go and make myself a cup of tea and take a terrified shower.
So… yes, although it might take a while what with all the screaming and intermittent bathing
#firenmynus #ask
Answer:
Everyone who knew what an emotional wreck I was in my late teens is probably very grateful I didn’t go into premed. Besides, my art career had already kind of started by accident and I figured it was my best and only shot at surviving or whatever.
I am comfortable now knowing I have the precise cocktail of personality traits that make for a horrible healthcare specialist but superb dog babysitter. That’s my lot in life!
#Anonymous #ask
Answer:
For animals (particularly four-legged mammals), An Atlas of Animal Anatomy for Artists is a great starting point. It is a useful reference, beautiful to look at, and easy to get a hold of.
Most people recommend Bridgman or Loomis books as essential references for human anatomy. I like the Jeno Barcsay book as a complement to those.
You might find the Muybridge collection of Animals in Motion relevant to your interests too.
I personally have medical texts and stuff like the Bodyworlds catalog on my shelves because they offer another useful perspective from which to study the construction of the human body. Once upon a time I wanted to become a surgeon or a medical illustrator so the imagery doesn’t bother me, but it’s certainly not for everyone.
Google is a useful resource but it requires patient sifting, and yeah, there’s always the risk that you’ll get exactly what you weren’t looking for. Yay for curated collections of dusty old books!
#ask
Answer:
Well, there is definitely a good reason why my apartment is full of skulls and skull replicas and medical textbooks…
I always start by going off of internalized knowledge (…or lack thereof…) but as I work I will collect, or in an optimal situation, create, references in order to check to see how wrong the stuff that came out of my head was.
#ask
Answer:
Still eating eggs and dairy for now, so my nutritional intake should hopefully be balanced. I think the worst of it has passed… aside from the occasional drumstick-themed daydream I’m feeling great today. Thanks for your concern; I appreciate it!
#askI figured my life might be improved, maybe even radically, if I was a vegetarian or conscientious omnivore.
Aaaand just a few days into the latest serious attempt at that, meat withdrawal is annoyingly real and hitting hard and probably evident in my inability to finish even a sketch… not that Thresher was ever easy to draw to begin with. When he actually has a head, he pulls off some serious Nemesis the Warlock vibes. Fun.
My holy grail right now is a style that’s fast enough to let me get a panel’s worth of art done a day, which is easier said than done since it’s impossible for me to resist overworking everything…
One more of Albatross Boy. Aaaand there goes the weekend.
Have been really frustrated these past couple of months at how slow progress on the book is going.
On the upside, the challenge of balancing work, writing, concept art, relearning how to draw because my concept art sucks, and staying healthy has forced me to become incredibly disciplined when it comes to time management and avoiding distractions. Now I’m able to carve out 2-3 hours each day to spend on this thing, whereas before I had no time at all.
Recently I heard an interview with a prestigious author on NPR who said that everyone who’s waiting until they “have time” to write a book will never get around to it, because you’re never going to have the time. I’d been trying to tell myself that all throughout the process, but it wasn’t any comfort until I heard it coming from someone else.
I mean, if the rent wasn’t too damn high I might consider saving up and then taking a break from full-time employment altogether. Might. I dunno. I do actually really enjoy the demanding environment of a busy studio and being around other humans and having responsibilities and stuff. I also only seem to get this motivated when I’m under pressure. Go figure!